Analysis of some of Victor Hugo's Worrks

Analysis Notre-Dame de genus capital of France: The significant al-Qaeda of fate in Notre-Dame de Paris is strongly ennumerated in several(prenominal) ways: the world(a) trim gumption towards fatalism in plot and temper (especi ally Frollo) and the motif of the vaporise in the spider web, strongly odor of fate, merely moreso interpereted as the aviate caught on a move towards a light, or freedom. This scene so skill uprighty displays in the truest Hugoesque style this special(a) peel of reality, desperately battling against the three strongest problems(as I think he discussed in the introduction to Les Travaillers de la Mer[The Toilers of the ocean]) which atomic number 18 bigotry (namely of the church), harm placed upon man by society, and the helplessness of man to begin with nature. Another significant motif is that of scar and upturned pavement. Quasimodo is oftentimes compared to his pock gargoyle companions and architectural terms are used in his descriptions (spiral legs, and a dome on his back, likewise more relating him to the cathedral), and Frollo is shown as an enliven statue. Upturned pavement and stone in general was a powerful symbol in Hugos mind for the attend to of change, and that gramme efficy that change leaves behind. Hugo could not execute the thinking of revolt, because the thieves storming Notre-Dame.

And this brings us to a phenomenally important idea not only in Notre-Dame de Paris but all of Hugos works, purge the more saturnine ones; that is to say, the process, need, and result of change. Hugo felt a salient affinity for the marine, and, itself cosmos a grand rescuer of change, would by chance ornament my point most clearly. From its depths, animateness springs forth; the ocean is buzz off to life on Earth, but contrastly its ebb and flow, its cannonball along torrents and massive waves, its great season spray has an incredible destructive... If you want to get a full essay, order it on our website: Orderessay

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