Freedom in The Story of An Hour

Kate Chopins The Story of An Hour is a short story in which the title refers to the amount of cadence in which the protagonist, Louise mallard, is told that her conserve has died in a railroad mishap and also finds issue that he is alive after all. Mrs. mallard seems to have mixed public opinions astir(predicate) her husbands terminal; at first feeling sorrowful and grieving, moreover thus she begins to feel a current liberation. In The Story of An Hour, Chopin uses symbolism, imagery and irony to portray a womans reactions to the expiration of her husband signifying the problems in her marriage.\nThe window in Mrs. Mallards room is symbolic of the freedom that she wishes to have. After the sores of her husbands death, Louise grieves as most people do and weeps uncontrollably. at whiz time she is d sensation weeping she closes herself up in her room, allowing no one to enter, and sits facing the open window. with with(predicate) the open window she sees patches of blue-blooded sky that peek done clouds that had met and piled one above the other(a) (Chopin par.6). The blue sky symbolizes her new time to come - a future of freedom, while the dense clouds contain her regression. Chopin uses this symbolism/imagery to stage Louise Mallards inappropriate emotions of grief and hope for freedom.\nIn paragraph eight where the narrator describes Mrs. Mallard, she is described as juvenile but shows signs of repression with a uttermost away stare. The imagery of the dense stare in her eyes, whose paying attention was fixed away eat up yonder on one of those patches of blue sky shows readers that Mrs. Mallard is not staring out the window blankly because she is mourning, but because she is hoping and wishing for freedom. When Josephine, her sister, begs her to open the gateway for fear of Louise making herself ill, Louise tells her to go away and the narrator explains that she wasnt making herself ill. She was actually alcohol addiction in a very elixir of life through that open window (Chopin par.18)...