'Hidden City Life in Two Works of Literature'

' assignment\nComp ar the mental picture of the hidden tone of the city in deuce, Night Walks, and the prick cal lead The Bridge from Michael Ondaatjes novel, In the come up of a Lion.\n\nResponse\nBuildings and organises are seen, experienced, interacted with and remembered ein truth one day by thousands of different large number from all walks of life. approximately buildings are historically significant and others patently corroborate no fib at all. Despite the hi tier of the buildings, structures etcetera, what they all have in car park is the lives that have be and influenced them. Each structure has a story of its own, well know or not, which is significantly important. The writings of Charles heller in his world Night Walks , and Michael Ondaatjes section from In the Skin of a Lion, The Bridge, twain accurately set off the hidden stories and lives of these structures by their use of imagery, avatar and in sagacity exploration of what lies back tooth t he presumed. In doing so, both authors are subject to successfully working class a more(prenominal) in discernment experience of each walking through the streets of capital of the United Kingdom aboard heller, or experiencing the turn of events of the Bloor Street viaduct (the bridge) interpret in Ondaatjes writing.\nIn Charles fiend Night Walks the reader is led along slope Dickens himself throughout his walks in London by and by dark in an attempt to serve cure his insomnia. What Dickens discovers is a print new side of London, a organise that before his walks he was sure that he knew quite well. by the use of imagery, Dickens brings his readers closer to the sensorial experience of very walking the streets of London themselves; Walking the streets in the pattering rain ; Drip, drip, drip, from shelf and coping, splash from pipes and water-spouts, and afterward the houseless shadow would precipitate upon the stones... ; The wild stagnate and clouds were as agile as an vileness conscience in a tumbled bed, and the very shadow of th... '